FORE:In Ireland there was severe distress prevailing over an extensive district along the western coastno unusual visitation, for the peasantry depended altogether on the potato, a precarious crop, which sometimes failed wholly, and was hardly ever sufficient to last till the new crop came in. The old potatoes generally disappeared or became unfit for human food in June, and from that time till September the destitution was very great, sometimes amounting to actual famine. There was a partial failure of the crop in 1830, which, coupled with the rack-rents extorted by middlemen, gave to agitators topics which they used with effect in disquieting the minds of the peasantry.The style of St. Paul's, and, indeed, of all Wren's churches, is neither Grecian nor Gothic, but Italian, influenced by the fashion which Bernini, the Italian architect of Louis XIV., had introduced into France. It is a class of architecture of which the Grecian is the basis, but which is so freely innovated upon as to leave little general resemblance. In its different parts we have columns and pilasters of every Grecian and, indeed, Roman order, pediments, peristyles, architraves, and friezes, mingled up with windows of all sorts, and all kinds of recesses and projections, the fa?ades and intercolumniations ornamented with festoons, and wreaths, and human masks, and the whole surmounted by a great Eastern dome, and by campaniles partaking of[159] all the compilations of the main buildings. St. Paul's itself is a noble building, notwithstanding the manifest gleanings from the antique and the medi?val, and their combination into a whole which has nothing original but their combination into one superb design. Besides St. Paul's, the rest of Wren's churches are disappointing, and we cannot avoid lamenting that he had lost the sense of the beauty of Gothic architecture, especially when we call to mind the exquisite churches of that style which adorn so many of the Continental cities. Whilst the exteriors of Wren's churches show heavily in their huddled-up situations in London streets, their interiors, in which much more of the Grecian and Roman styles is introduced, are equally heavy, and wanting in that pliant grace which distinguishes the interiors of Gothic cathedrals. Perhaps the noblest work of Wren next to St. Paul's is Greenwich Hospital, which is more purely Grecian, and therefore displays a more graceful and majestic aspect. The Palace of Hampton Court, attached to the fine old Tudor pile of Cardinal Wolsey, is a great square mass, in which the Dutch taste of William is said to have set aside Wren's original design. But surely William did not compel him to erect that (in such circumstances) ponderous barbarism of a Grecian colonnade in the second quadrangle of Hampton Court, attaching it to a Gothic building. In fact, neither Wren nor Inigo Jones appears to have had the slightest sense of the incongruity of such conjunctions. Jones actually erected a Grecian screen to the beautiful Gothic choir of Winchester Cathedral, and placed a Grecian bishop's throne in it, amid the glorious canopy-work of that choir. The return to a better taste swept these monstrosities away.
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FORE:By a still greater fatality, Louis was persuaded to comply with the solicitations of the American colonists, to assist them in throwing off their allegiance to Britain. To rend these colonies from Britain, which had deprived France of Canada and Nova Scotia, was too flattering to French vanity and French desire of revenge. Turgot in vain protested that the first cannon that was fired would insure revolution; Louis consented to the American alliance, and thus set the seal to his own destruction. Bitterly did he rue this afterwards, still more bitterly was it rued by his queen when they both saw the fatal infection of Republicanism brought back from America by the army. When Turgot saw that this fatal war was determined upon, he retired before the wild rage of the noblesse and clergy, and from the ruinous weakness of the king. Minister after minister rapidly succeeded each other in the vain endeavour to keep up the old partial laws and privileges, the old extravagance and encumbrances, at the command of the king, and yet avert revolution. In turn Clugny, Necker, and Calonne withdrew discomfited.On the 3rd of February Mr. Darby brought forward a motion that the sheriffs should be discharged from the custody of the Serjeant-at-Arms. This gave rise to a long and animated debate. The Attorney-General opposed the motion, contending that until they made their submission the House could not dismiss them with due regard to its dignity. Sir William Follett replied to the arguments of the Attorney-General, and was answered by the Solicitor-General. The debate was adjourned, and was resumed on the 7th. At its conclusion the House divided on the question that the sheriffs be discharged, which was negatived by a majority of 71. On the 12th Mr. Sheriff Wheelton was discharged on account of ill-health, a motion for the release of the other sheriff having been rejected.
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